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School of Visual Arts (SVA)

School of Visual Arts has been a leader in the education of artists, designers and creative professionals for more than six decades. With a faculty of distinguished working professionals, dynamic curriculum and an emphasis on critical thinking, SVA is a catalyst for innovation and social responsibility. Comprised of more than 6,000 students at its Manhattan campus and 35,000 alumni in 100 countries, SVA also represents one of the most influential artistic communities in the world.

Science Museum Group

The Science Museum as an institution has been in existence for about a century and a half. It has its origins in the Great Exhibition of 1851, held in Hyde Park in the huge glass building known as the Crystal Palace. The popularity of the exhibition ensured a large financial surplus, which its patron Prince Albert suggested should be used to found a number of educational establishments on the land available nearby. The first of these was the South Kensington Museum, opened in 1857 on land which is now part of the Victoria and Albert Museum.

SculptureCenter

Founded by artists in 1928, SculptureCenter is a not-for-profit arts institution dedicated to experimental and innovative developments in contemporary sculpture. SculptureCenter commissions new work and presents exhibits by emerging and established, national and international artists.

Seismopolite Journal of Art and Politics

Seismopolite Journal of Art and Politics is a Norwegian-English quarterly which investigates the possibilities of artists and art scenes worldwide to reflect and influence their local political situation. Seismopolite aims to highlight diverse artistic forms and strategies that stimulate new future trajectories in precarious socio-political situations, for example by critically examining geopolitical, cultural and historical master narratives, challenging and questioning the roots of censorship and violations of Human Rights, or working to reach understanding and bridge real or constructed differences in areas of conflict. Related to this, Seismopolite also wishes to contribute to a renewed, critical attentiveness to the art market and art’s relation to neoliberal geopolitics – e.g. the role of art in geopolitical marketing strategies or its dependency on the neoliberal political geography of place/ space and local/ global – to assess the implications of these factors for the possibility of art to fill such political functions today.

Serlachius Museums

The Serlachius Museums Gösta and Gustaf offer an excellent contact point for the friends of high quality art and good stories.

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